This time, though, he can equip up to four weapons and four guns. Like his DMC4 counterpart, he’s able to seamlessly switch between four different fighting styles, each with their own unique maneuvers and setups. Old-timer Dante most maintains traditional mechanics, but he’s also where combat is most creative. V's inventive playstyle is a superb addition that feels right at home alongside Nero and Dante. His abilities may not seem like much, but he reframes the way DMC is played, demonstrating that there's still room for original and refreshing ideas in combat. V demands restraint, a quality that defies the offensive strategies of previous characters. And it's made all the more rewarding by the impact of a final blow alongside V's brief poetic soliloquies. Cunningly avoiding attacks as you command your familiars to deliver complex juggles is a satisfying thrill. It’s a bit disorienting due to the lack of feedback from hitting enemies with your familiars.ĭespite this, V’s emphasis on space management and calculated movement is a fantastic change of pace. As a result, his more deliberate pace can be occasionally irritating, especially when your familiars have trouble focusing on the proper target during a hectic fight. V requires a patience that goes against your general instinct to be confrontational. An enemy cannot be killed by a familiar’s attacks alone, though V himself must inflict the final blow. In addition, it can be commandeered to inflict more direct assaults on enemies. This giant golem acts as more as a Devil Trigger-like last resort who can inflict ridiculous damage all on his own for a short duration. V also has a third familiar named Nightmare. Each have their own regenerating health bar and can be taken out of combat temporarily if you're not careful. The former inflicts melee attacks, while the latter shoots projectiles. Unlike his sword-touting brethren, V damages enemies from afar with his two familiars: a shape-shifting panther named Shadow and a demonic bird named Griffon (DMC1 fans should instantly recognize these creatures).

Where Nero brings new flair to classic mechanics, V is fresh and unexpected. At first, this seems like an arbitrary way to access each arm’s unique abilities-not to mention there’s little done to justify this rule in-game other than asserting that they’re simply 'fragile.' Devil Breakers significantly evolve Nero’s playstyle by expanding his attacks, but what’s most curious is how switching between them requires you to discard your current one in order to equip the next down the line. For example, Overture can deliver a wide shock attack, while Punch Line shoots a rocket-powered fist that continuously damages enemies. With them, you can pull enemies towards you, as well as tap into an assortment of special abilities depending on which Devil Breaker model you have equipped. Replacing his lone Devil Bringer from DMC4 are new prosthetic arms called Devil Breakers. Nero is where new and old ideas come together. Combat is where the game most expresses itself, showcasing the nuances of its mechanical depth in a variety of creative ways. Protagonists Nero, Dante, and newcomer V each offer their own unique playstyles that makes the simple objective of clearing rooms of enemies continually exhilarating.

An in-game ranking system continually judges your style, encouraging you to better your performance. With an array of melee and projectile attacks, you inflict complex combo strings while performing split-second dodges to evade incoming attacks. The majority of your time in DMC5 is spent killing demons. Now Playing: Devil May Cry 5 Quick Video Review By clicking 'enter', you agree to GameSpot's

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